I relish my relish

Tasty Cucumber Relish ready to put in jars

I have never eaten any relish better than the one below. It requires a lot of work, but is worth every bit. We’ve put up around 50 pints this year. Hubby says we have enough for three years. Bring on the hamburgers and hot dogs!

We’ve been blessed with lovely rainy weather for two years running.  Rainy for the semi-arid High Plains, that is. Only God knows what kind of weather next year will bring. Let’s make relish while the rain continues.

Unfortunately, our peppers are late this year. They are still too small to use. Considering the massive amount of peppers needed in this recipe, we were very disappointed that our peppers were so slow. We started numerous peppers because we knew we needed to make relish this year. We’ll have to freeze whatever peppers we don’t use.

Tasty Cucumber Relish

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Vegetables
6 lbs. grated cucumbers, peeled
1 grated white onion
2 lbs. grated carrots
10 grated medium bell peppers (if possible, include some red, yellow and/or orange peppers for better color)

Mix together. Since we almost always have to double and triple this recipe, we use two large plastic storage containers with lids. We pour the vegetables straight into the container from the food processor.

Brine
1 T. turmeric
1/2 C. salt
8 C. water

Mix together. Turmeric is used in dyes and rapidly creates stains that are very hard to remove. Protect your surfaces!

Pour brine over vegetables. Stir well, cover and let sit for 3 hours. Drain. If you are using storage containers, do this in the bathtub. Scoop vegetables from one container into another with colander, pressing out liquid each time. Cover with water and lid, then let stand for 1 hour. Drain, using above process, refill with water and drain again.

Syrup
1 T. mustard seed
1 T. cinnamon
1 t. ground cloves
2 t. allspice
2 C. brown sugar
4 C. cider vinegar

Mix and bring to boil, then pour over vegetables. Let stand 10-12 hours.

Boil before filling prepared jars, leaving 1/2 inch head space. Make sure liquid covers vegetable mix. Process in water bath for 10 minutes, adjusting for altitude if necessary.

Makes about 7 pint jars. The number of peppers used in the recipe has a rough correlation to the amount of pints.

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Food in our tummies

freshly-canned jars of peach jam

About all I’ve gotten done in the last few days is canning: Plum-raisin spread, relish, peach jam and green beans. In consequence, my back aches, but I keep telling myself the pain will be worth it when we eat our produce this winter. Our tomatoes are finally beginning to ripen and our peppers are nearly ready to pick. When they are ready, they’ll go into jars as well.

I’m not putting up any more cucumbers. We have enough relish now for three years of eating. Our church has a produce exchange every Sunday morning and whatever cukes are left are going into that.

The peaches come from the neighbors’ tree, which is loaded. I hope to can more of them.

Then in the winter, we can sing “Yummy, yummy, yummy, we’ve got food in our tummies!”

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All by myself

Many ideas come to mind when I look at this picture. I shot it with a macro filter attached to a fisheye lens, which is why the background looks swirly.

My first free association was a verse in John. I memorized verses in King James Version, so that’s how I remember them:

Verily, verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit. (John 12:24)

Jesus is using a figure of speech to express how His sacrificial death will bring life to many others.

Just as in His illustration, this wheat head probably will fall into the ground and die. In the right conditions, volunteer wheat will spring up from this head, but for now it is alone.

The next set of free associations is pop music. This should not be surprising because my head is full of lyrics.

Many tunes talk about being alone. In Only the Lonely, Roy Orbison says:

There goes my baby, there goes my heart.
They’re gone forever, so far apart,
But only the lonely know why I cry,
Only the lonely.

Maybe the wheat stalk is dying of loneliness. Every wheat stalk in the area has gone, leaving this one standing All by Myself, which was a big hit originally for Eric Carmen, then many others, including Celine Dion. The wheat stalk could well be singing “I don’t wanna be all by myself” any more. Let’s hope it’s singing the Celine Dion arrangement, although hitting and sustaining those high notes would be impossible for most people, not to mention a wheat stalk.

The other tune that comes to mind when I think of loneliness is Justin Hayward’s Forever Autumn. I can never hear this song without thinking of my classmate who was killed in an auto accident at the time this song was on the charts. However, the wheat stalk would think of life as forever summer.

While losing loved ones is terrible, those of us who are trusting Christ to be our Savior know that autumn is not forever. Someday we will see those who have gone before. I look forward to the happy meeting with my loved ones, but I want to see my Savior first of all.

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In the haze

hazy wheat field

harvest dust

I enjoy taking wheat harvest photos. Every year brings something different. This year, Chelli invited me to shoot harvest action. Conditions were ideal for some unique shots. The sun was setting and the air was filled with dust, making for some wonderful effects.

The High Plains are known for ferocious winds, but often those winds disappear completely about harvest time. Such was the case July 16. The air was absolutely still and nothing dissipated the dust haze. Looking at the scene was eerie.

I made sure to stay away from unharvested wheat. With such poor visibility, I feared that a combine or grain cart would suddenly appear out of the haze, a scenario I wished to avoid.

Haze in the draw

As I walked into the field, the dust cloud grew thicker, especially when the terrain dipped into a depression.

Dust in the air

I was amazed at how beautiful the dust cloud was. Who knew? Beauty is sometimes found in odd places.

Note: I had some issues on my web site when I sent up my last post. Because of them, the pictures failed to upload. If you subscribe (thank you, thank you!), the email version lacked the pictures. Problems are all fixed now and the pictures are where they belong. If you want to see the post as I intended it to be, please go here.

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I’m baaaaaaack!

Just when you thought it was safe to go back in the water, your not-so-faithful blogger has shown up again. I went to work for the Census April 23, while I was still in school. Between sub days and enumerating, May was very busy. I was sent to Dodge City in June, then came home to work on the Ultimate Guide to Northwest Kansas for the Northwest Kansas Travel Council. (A link on the right side of that page enables you to request one. An online version should be available, but I don’t have that information yet.)

I worked frantically on that publication until the Census called me back July 8, finishing as much as I could before my work time would be in snatches. Between the Census and Ultimate Guide, I have had almost no time to do anything. Every project I had in mind for this summer has been postponed until who knows when.

Donna and I went to Denver Monday and Tuesday to pick up the Ultimate Guide. I’ve been designing the publication since 2001 and Publication Printers was the most pleasant printer we have worked with. The turnaround was phenomenal, as were the quality and service. Their color work was terrific.

I finished the latest Census operation Thursday, but I could still be called back to work. When I went through training for the first operation, we were told we’d absolutely be finished July 31. I must have done something right because it’s nearly September. I wish I could have told you Census stories, as I have plenty. But I am bound by confidentiality laws. Better to be safe and silent than risk sharing too much information!

Downtown Denver and the Front Range

When we went to Denver, Donna got a great rate for us at the Grand Hyatt in Denver. What a lovely place! My room was on the 22nd floor and we went to the Grand Club, which I believe was on the 29th floor, the highest floor I’ve been on since leaving New York City in January.

tourist on Top of the Rock

I couldn’t help making the comparison between standing on Top of the Rock, 70 stories up.

daytime traffic in Downtown Denver

Traffic is a lot closer from 26 floors up than it is from 70.

Fifth Avenue traffic at rush hour

The stream of vehicles down Fifth Avenue was a constant parade of congestion. No wonder the guide book said “DON’T DRIVE IN MANHATTAN!”

Yes, Denver has its traffic nightmares. I’ve parked on I-70 before. But the guide books don’t tell you not to drive in the Mile High City.

Hubby’s cousin married a man from Long Island, N.Y. When they lived in Denver, his mother visited them. When she saw the Denver skyline, she said, “What a cute little city!”

Cute little city?

Depends what your comparison is. SkyscraperPage.com has three pages — 77 buildings — of Denver skyscrapers. Republic Plaza is the tallest at 56 floors.

According to Skyscraper Page, New York City has 770 buildings — 31 pages — that qualify as skyscrapers. The tallest is the Empire State Building at 102 floors. One World Trade Center is supposed to be 105 floors. SkyscraperPage lists 43 NYC buildings taller than Republic Plaza.

By NYC standards, yes, Denver is a cute little city, but I like it. Denver is comfortable. New York City is overwhelming. Fun, yes, but still overwhelming.

Even so, I’d jump at any chance to return to NYC. I like fresh air, but Times Square is good, too.

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A spot of tea, anyone?

Old South Church interior

This is the interior of Old South Meeting House, built in 1729. It’s most famous for its connection to the Boston Tea Party. Visitors are even handed a tea bag when they visit.

Those opposed to the British tax on tea held a meeting in Old South to discuss what their response should be. Samuel Adams, a prime mover and shaker in the revolutionary movement, stood up and announced, “Gentlemen, this meeting can do nothing more to save the country.” This was supposedly a signal to the Massachusetts Sons of Liberty to destroy the tea.

The Boston Tea Party was on and 342 tea crates bobbed in Boston Harbor. The partiers ensured that all the tea was thoroughly soaked and ruined.

When the British occupied Boston, they wreaked revenge on Old South, turning it into a horse riding arena. They gutted the building and used its furnishings for fuel. When the Redcoats left, the congregation spent eight years raising funds and restoring the interior.

Old South pulpit

The original congregants liked long sermons. In an age without mechanical amplification, the speaker needed all the help he could get. The height of the podium ensured that sound would fall upon the ears of the listeners and the sounding board above him reflected sound downward. Much to my amusement, I thought it looked like some giant threat. “Say something we don’t like and we’ll crush you with this stamp above you!”

This is ironic considering the meeting house’s history subsequent to its preservation as a museum in the 1870s. Old South became a place where anything could be discussed. In 1929, the meeting house’s board voted that any subject, no matter its unpopularity, could be discussed.

I wonder what the original congregants would have thought of that?

To visit Old South from the Boston Common Visitor Center (start of the Freedom Trail, the red line marked on the sidewalk), walk along Tremont Street (with Visitor Center and Boston Common behind you) to the corner of Tremont and School Streets. Turn right, walk down School Street to Washington Street and turn right again, walk down Washington Street. The Old South Meeting House is on the corner of Washington and Milk Streets. The closest subway stops are State Street (Blue/Orange Lines), Government Center (Green Line) and Downtown Crossing (Red Line). It’s open daily all year, except Thanksgiving, Christmas Eve Day, Christmas, and New Year’s Day. Hours are 9:30 a.m.-5 p.m. April 1-Oct. 31; 10 a.m.-4 p.m. Nov. 1-March 31.
Here’s the Freedom Trail slide show:

Click on the link in the gallery to order.

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Our House is a very, very, very fine House

Massachusetts House of Representatives

This is the Massachusetts State House‘s House Chamber. Note the Massachusetts House of Representative’s voting boards on the left and on the right.

House Democrats

Here are the Democrats. Leadership is on top, then the members follow in alphabetical order.

House Democrats, Independent and Republicans

Democrats continue on the other side. Rep. Jones, the one with the dashes before and after his name, is the lone Independent. The remaining names are Republicans. Massachusetts is definitely a blue state, which makes the election of Sen. Scott Brown a shock. The election happened only a few days before we arrived. I was hoping to score a Scott Brown sign, but the only election evidence I saw was a Martha Coakley headquarters storefront.

Albert Herter painted the five murals high on the wall, Milestones on the Road to Freedom. The leftmost one (not shown), the painting of John Winthrop leading the Pilgrims to their landing on Plymouth Rock, has been water damaged and was removed for preservation and restoration.

The room is paneled with lustrous Honduran mahogany.

House ormolu clock

At the back of the room is an ormolu clock. Ormolu clocks are also known as “Death Clocks” because the process used to make ormolu poisoned the clockmaker.

The Sacred Cod

The Sacred Cod is the State House’s most famous item. The cod fishery was early Massachusetts’ most significant form of income. A representation of a cod has hung in Massachusetts state houses since the early 1700s. One was lost in a 1747 fire and its replacement disappeared during the British occupation of Boston. The current one, a five-foot fish carved from a single block of pine, was donated in 1798. It hung unmolested until 1933, when the staff of Harvard Lampoon stole it by clipping its supporting wires. An anonymous tip led to its whereabouts. It was rehung much higher, out of the way of someone’s clippers.

Holy Mackerel

The Senate has its own fish, the Holy Mackerel, worked into its chandelier. The dome has 360 pieces of carved wood around it, one for each degree of a circle.

Massachusetts Senate Chamber

The Senate’s documents are tied with red ribbon. British legal documents have been tied with red ribbon since the 17th century. Massachusetts Senate only continued the practice. There’s the origin of the phrase “red tape”.

Senate Reading Room

The Senate’s original chamber is now its Reception Room. The carpet is a replica of an earlier carpet. The tour guide went out of her way to ensure we knew the cross pattern in the carpet had “no religious significance.” What a commentary on our culture! The ceiling is a barrel vault decorated with beautiful plasterwork.

The tour ended here and I had no more time to explore. The rest of the Freedom Trail awaited me.

Directions to State House and tour instructions are here. State House Tours are offered Monday through Friday between 10 a.m. and 3:30 p.m. Tours last approximately 45 minutes. They are free of charge but reservations are requested. Call 617-727-3676. State house is closed on weekends and holidays.

Here’s the State House slide show:

Click on the link in the gallery to order.

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Stately

Memorial Hall dome, arch and John Eliot painting

Memorial Hall was built in the Massachusetts State House to honor those who fought in the Civil War. Henry Walker’s mural above is on the south wall and depicts Puritan minister John Eliot preaching to the Indians. Eliot published the first Bible printed in America after developing an alphabet for the Algonquin Indians. Would this piece of American history be memorialized today in a public space?

Tour guide and tour group in Memorial Hall

The mural above our tour guide, The Return of the Colors was painted by Edward Simmons. It depicts Massachusetts regiments returning their flags to the State House after the Civil War Dec. 22, 1865, in honor of Forefathers’ Day.

(Forefathers’ Day commemorates the Mayflower’s landing at Plymouth Rock. Forefathers’ Day is actually celebrated on two different days because of confusion between the Julian and Gregorian calendars. The correct calendar correction puts the day on Dec. 21, not Dec. 22.)

The flags have been formally returned after every conflict thereafter, although the last time was after the Vietnam War.

The hall has two more murals, Walker’s portrayal of the Pilgrims sighting land from the Mayflower and Simmons’ representation of the Battle of Concord.

Domed skylight with Great Seals

The hall is topped by this skylight featuring the Great Seal of the Commonwealth of Massachusetts in the center with the Great Seals of the other Thirteen Colonies surrounding it.

The floors and pillars are beautiful Siena marble.

reception in Nurses Hall

The next stop on the tour would normally have been Nurses Hall, but someone was holding a reception there. Therefore, I missed the sculpture honoring Civil War nurses and Robert Reid’s murals of the events that launched the American Revolution.

ugly chairs and the Grand Staircase

This room is at the base of the Grand Staircase. After its handrails were cast, the mold was broken to ensure they remained unique. Everything else in the room is beautiful also, except for these chairs with the nasty stenciling on the backs. The contrast between the beautiful architectural details and these disfigured chairs is quite stark.

This is the Grand Staircase. Lectern at the base displays current Massachusetts Great Seal.

Original Great Seal of Massachusetts

This is the original Great Seal, obviously drawn up by some herald in London with no knowledge of climate in New England. Toplessness doesn’t work in New England winters.

center panel of State Seal Window

Much later, the state redesigned the seal to depict a much more realistic Native American, complete with appropriate clothing.

left panel of Great Seal Window

right panel, Great Seal Window

These are the family coats of arms of the Governors of the Province of Massachusetts. Thomas Gage, the last British Governor of Massachusetts, does not have his coat of arms on the window. Just over a year after Gage was installed as governor, the angry General Court, Massachusetts’ Legislature, no longer recognized his authority and decided to devise a new seal.

The center seal was their choice. The soldier carries an upraised sword to signify a nation at war. He clutches the Magna Carta to symbolize his violated rights as an English subject, which later became his rights as an American citizen.

coffered ceiling

coffered ceiling

This gorgeous coffered ceiling is above the next floor.

coffered ceiling and murals

The walls in this room are covered with beautiful murals by Edward Brodney. One is titled Columbia Knighting her World War Disabled and another titled World War Mothers. These are unusual in two respects: 1) Brodney could not afford to pay models, so he used his family and friends as the subjects; 2) women were not usually depicted in military scenes.

Massachusetts has no Governor’s Mansion and the State House lacked any space for large public gatherings. So the state converted a breezeway into a Great Hall by covering it with a glass skylight. However, the acoustics were awful. All those hard surfaces echoed dreadfully. In order to muffle the echoes, they invited each incorporated Massachusetts community to submit their flag. One problem: Many of the towns had no flag. Some had never designed one and some had never had one made. They were supposed to hang in order of incorporation, but some of the earliest towns were flagless ones. When all the communities submit a flag, they will at last be hung in order.

Directions to State House and tour instructions are here. State House Tours are offered Monday through Friday between 10 a.m. and 3:30 p.m. Tours last approximately 45 minutes. They are free of charge but reservations are requested. Call 617-727-3676. State house is closed on weekends and holidays.

Here’s the State House slide show:

Click on the link in the gallery or go here to order.

Next up, the Massachusetts House and Senate Chambers.

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Under the golden dome

I walked the Freedom Trail on our second day in Boston.

Massachusetts State House from Boston Common

As soon as I exited the T’s station under Boston Common, I was drawn to this golden dome and Charles Bulfinch’s beautiful Federal style architecture. Massachusetts State House’s dome is covered with gold leaf, which was added in 1874. Gold is 23.5 carats, which seems an oddly-precise number. It has remained gold ever since, with one exception. The dome was painted gray during World War II to prevent enemy ships from using its gleam as a target.

Our tour guide commented how relieved the citizens were when their gold dome appeared again.

Distances to Boston are measured from the dome, not the city limits or central post office.

Massachusetts State House from Beacon Street

Tour guide said that the center entrance is only open on very special occasions:

1) When the outgoing governor departs;

2) When Massachusetts regiments return from war, they return their battle standards to the State House;

3) When a sitting President visits the State House while the legislature, called the General Court, is in session.

corner of Massachusetts State House

Ordinary mortals must use side entrances. This one is called the Hooker Entrance.

General Hooker's statue from behind

No, ladies of the evening are not plying their trade outside, although a connection does exist. Gen. Joseph Hooker, whose equestrian statue stands outside this entrance, was the third commander of the often ill-fated Army of the Potomac. Hooker’s headquarters were so wild that they were characterized as a combination “bar room and brothel“. “Hooker” was already slang for a prostitute before the Civil War. But, because of Hooker’s drinking and womanizing, Washington’s red-light district became known as “Hooker’s Division.” This increased the slang term’s popularity.

With his history, perhaps the hind-end view of Hooker from the State House is rather appropriate.

Tours originate in the Doric Hall. This is the only place that is not always handicap accessible. A chair lift is present, but often breaks down.

Doric capital in Doric Hall

The room is named for these Doric capitals.

Gov. John Andrew

The room has several statues in it, including ones of Lincoln, Washington, and Gov. John Albion Andrew, the state executive during the Civil War. Andrew sent the Massachusetts State Militia to defend Washington, D.C., in the early days of the Civil War.

bust Lincoln above Gettysburg Address plaque

Abraham Lincoln, the President whose capitol Andrew had rushed to protect, is represented in this bust above a tablet with the words of the Gettysburg Address.

closeup of George Washington's bust

George Washington is honored twice, once with a full-length statue and once with this bust.

Washington statue by Sir Francis Chantrey

This statue received mixed reviews. Washington’s pose in the clothes he actually would have worn is obscured by a Roman toga draped around him. This was called “absurdly incongruous” by at least one source. I have to agree: The combination looks ridiculous.

Massachusetts was pleased enough with Chantrey’s efforts to add a “Washington Temple”, for the sculpture onto their State House. Room is the current Doric Hall. No wonder it didn’t seem to match the rest of the building.

Next up, the rest of the State House.

Directions to State House and tour instructions are here. State House Tours are offered Monday through Friday between 10 a.m. and 3:30 p.m. Tours last approximately 45 minutes. They are free of charge but reservations are requested. Call 617-727-3676. State house is closed on weekends and holidays.

Here’s the State House slide show:

Click on the link in the gallery or go here to order.

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Adventures in production

sound board for Kennedy-Nixon Debates, 1960

Since I spend nearly every Sunday morning in our church’s sound booth, production equipment is of great interest to me. Ours was installed last year, so it’s pretty up to date with lots of sliders and knobs.

This one above is a complete dinosaur, literally a museum piece. It’s part of the Kennedy-Nixon Debates exhibit in the John F. Kennedy Library and Museum, Boston.

The progress since is truly amazing.

My grandfather was the sound technician at his church for many years. When he was working, he allowed no one in the booth, so I never got to see him in action. I remember what the tiny room looked like when I was a child. A huge reel-to-reel tape machine dominated the area. He had stacks of those tapes in little flat white boxes, labeled with each service date.

When the church changed to cassette tapes, the sound booth seemed bare and somehow sad.

(Grandpa also loved film-making. The whir of his 8mm camera is part of the soundtrack of my life. He experimented with stop-motion, especially in the credits. I’ve thought about recreating some of the work I remember, but I’m not sure I have that much patience.)

I worked in a television station’s tape room in the summer of 1992. The job was anything but enjoyable for me. The equipment needed repair and some extreme measures had to be taken at times to make them work. The cart deck was the most problematic.

“Cart” was short for “cartridge”.

The TV station’s production crew put together local commercials and we’d have to dub them from their tape to these cartridges. The cartridges were then placed in order into the cart deck’s conveyor belt, which was shaped like an oval track. If we had to repeat that commercial, we’d have to pull that cartridge and place it into another slot. If/when the cart deck would stick, Tape Operator would have to literally kick the machine to get it started, resulting in some dead air, the most dreaded term in the television lexicon.

We had to download some programs from satellites. One of the receivers was fixed on a specific satellite, the other was programmable. I hated the programmable receiver. It often refused to lock on its intended target, even when we had input the specific coordinates. Each night, we had to download two early-morning programs. One was downloaded from the fixed receiver; the other from the programmable one.

One night, we were unable to download the program for 15 minutes. We only had the one shot, so the early birds had to sit through 15 minutes of the longest commercials the overnight Master Control Operator could run. Otherwise, we’d have had 15 minutes of dead air or 15 minutes of the slide that read “Don’t call Sperry’s TV. Your TV is OK; the network is experiencing difficulties.”

Apparently, none of the station’s higher-ups were watching TV at 4:30 a.m. because we never heard a word of rebuke.

Now I download nearly everything from cyberspace. No more horrible programmable receivers; instead, I just head for WWW Land. No more kicking a cart deck, although Windows Vista and EasyWorship can be finicky. I’ve learned more about codecs in the last year than in 25 previous years of computing.

I LOVE technology!

This is my slide show from JFK Library:

Click on the link in the gallery or go directly to gallery here.

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